Category: Thriller

  • Trap (2024)

    If movies won Oscars for their marketing campaigns, M. Night Shyamalan would be sitting pretty. The trailers for his films are invariably intriguing. The writer-director whose works range from the sublime The Sixth Sense to the opposite-of-sublime The Happening has an indisputable gift for high concepts perfect for elevator pitches. And since Shyamalan has been…

  • Prince of the City (1981)

    Although Sidney Lumet’s Prince of the City hit movie theaters in 1981, its deliberate pace, brooding vibe and moral ambivalence place it squarely in line with the director’s string of 1970s-era masterworks that included Serpico, Dog Day Afternoon and Network. Based on a 1978 nonfiction book by Robert Daley, Prince of the City changes names and times, but it essentially…

  • Romance on the Big Screen

    This week we commemorate the 95th anniversary of that fateful day seven members of the George “Bugs” Moran gang were mowed down, deep-dish Chicago style, by four of Al Capone’s Tommy gun-wielding henchmen. Or to put it another way, this Wednesday marks Valentine’s Day. As such, it seems as appropriate a time as any to…

  • Michael Clayton (2007)

    Critics swooned when Michael Clayton hit theaters in the fall of 2007, and rightly so. Here was the sort of legal thriller, went the conventional wisdom, that John Grisham movies always promise to be but rarely are: Smart, complex, suspenseful. The collective fawning was more than justified. Michael Clayton is just about pitch perfect, an…

  • Killer Joe (2011)

    Brutal, pulpy and lurid. That sums up the irresistible allure of Killer Joe – provided, that is, you find deep-fried perversity to be irresistible. The second collaboration between director William Friedkin and writer Tracy Letts (their first being 2006’s Bug) serves up trailer-trash noir as savage as it is savagely funny. You will be forgiven…

  • Rope (1948)

    Rope is intriguing, if not altogether successful. The picture marked a kind of paradox for Alfred Hitchcock, a master of cinematic storytelling who presented himself with a challenge that appeared almost antithetical to the possibilities of film. In adapting a 1929 play by Patrick Hamilton, the director wanted the story to be experienced in the same…

  • Topaz (1969)

    The late 1960s marked something of a downslide for Alfred Hitchcock. There is speculation about what prompted his string of disappointments. Perhaps the slow demise of the studio system left the master of suspense rudderless. Hitchcock scholar Donald Spoto contended in his 1983 biography, The Dark Side of Genius: The Life of Alfred Hitchcock, that…

  • The Lookout (2007)

    In trying to recreate a sensibility from a bygone era, modern-day film noirs can seem as stiff and artificial as Botox treatment, but not The Lookout. Veteran screenwriter Scott Frank, making an impressive directorial debut here, adheres to the tenets of the genre without it feeling like a hermetically sealed tribute. The psychologically hobbled hero,…