Category: 2007

  • Michael Clayton (2007)

    Critics swooned when Michael Clayton hit theaters in the fall of 2007, and rightly so. Here was the sort of legal thriller, went the conventional wisdom, that John Grisham movies always promise to be but rarely are: Smart, complex, suspenseful. The collective fawning was more than justified. Michael Clayton is just about pitch perfect, an…

  • Nanking (2007)

    In late 1937, one of the most harrowing atrocities of the 20th century took place in China’s then-capital of Nanking. Japanese imperial forces invaded the walled city after a series of punishing air raids, only to then engage in a systematic reign of rape, torture and murder. Nanking, a documentary chronicling that horror, is a truly…

  • The Brothers Solomon (2007)

    Considering the scathing reviews that greeted The Brothers Solomon upon its theatrical release, you’d think the filmmakers had been guilty of beating children and small dogs. I am happy to report that the movie I saw was guilty of nothing worse than mediocrity. Directed by Bob Odenkirk and penned by Saturday Night Live alum Will…

  • The Lookout (2007)

    In trying to recreate a sensibility from a bygone era, modern-day film noirs can seem as stiff and artificial as Botox treatment, but not The Lookout. Veteran screenwriter Scott Frank, making an impressive directorial debut here, adheres to the tenets of the genre without it feeling like a hermetically sealed tribute. The psychologically hobbled hero,…

  • Disturbia (2007)

    Disturbia isn’t a great thriller, or even a very memorable one, but this compact little flick delivers some thrills, injects humor and visual flair, and boasts an appealing performance from Shia LaBeouf. Such positives help compensate for what winds up a disappointing abundance of genre clichés.  LaBeouf is Kale Brecht, a smart and likeable 17-year-old going…

  • The Visitor (2007)

    Richard Jenkins is one of those character actors you see often, and often take for granted. If there is one great thing about indie films (and, for the record, there are a number of great things about them), it’s the opportunity for criminally overlooked thespians of a certain age or look to shine in leading…

  • Diary of the Dead (2007)

    As the granddaddy of the modern-day zombie flick, George A. Romero understood that the undead are much more than simply people who have a good reason for smelling bad. He recognized that zombies make for potent metaphors with (considering the constraints of rigor mortis) surprising malleability. One minute, they’re fearsome monsters with an insatiable need…

  • Eastern Promises (2007)

    Throughout most of his career, David Cronenberg twisted moviegoers into knots by exploring their fears of losing control, particularly when it came to one’s body. Such shenanigans spawned masterpieces of the macabre, from the exploding heads of Scanners to an even-creepier-than-usual Jeff Goldblum in The Fly, but too often, Cronenberg’s thematic obsessions overwhelmed his storytelling.…